Screen-Printed Concert Poster

Description

The American screen-printed concert poster — also called the gig poster — has a continuous lineage from the 1965 Fillmore Auditorium posters in San Francisco through the late-1990s Frank Kozik / Coop / Emek wave to today's Hatch Show Print and the contemporary Mondo / Flatstock community. The technical constraints define the look. Screen-printing limits you to a small number of flat opaque inks (usually 3–6); colors are pulled one at a time, registered by hand, with slight misregistration showing on the edges; halftone is done with coarse dots or hatching rather than fine gradients; metallic and fluorescent inks are available and used to push contrast; the paper stock is usually French Paper or chipboard, often heavy and warm. Compositions favor a single dominant illustrative subject — a face, a creature, a single scene — with custom hand-drawn type integrated as a frame or banner. Use it for music posters, festival graphics, alternative-rock merchandise, limited-edition print runs, and any image that should feel hand-made, indie, and tactile. Generative models will give you "vintage poster" mush. Specify "screen-printed concert poster, 4-color limited palette with one fluorescent and one metallic, slight registration offset on edges, coarse halftone dots, French Paper chipboard texture, hand-drawn lettering, Mondo / Flatstock contemporary school."