Vivian Maier Mid-Century Street

Description

Vivian Maier worked as a nanny in Chicago and New York from the 1950s through the 1990s and shot roughly 150,000 photographs that nobody saw until John Maloof bought a box of her negatives at a Chicago auction in 2007. She died in 2009 with the discovery just underway; the posthumous reputation is now among the most secure in twentieth-century American photography. Visual rules: square 6×6 negatives from a twin-lens reflex Rolleiflex held at waist level, which produces a slightly upward angle on subjects who didn't know they were being photographed; black-and-white film with full mid-tonal range — not pushed, not crushed; mid-century American street subjects (kids on stoops, women at lunch counters, men in fedoras, urban detritus); a recurring pattern of self-portraits caught in mirrors and shop windows; an unsentimental, almost forensic attention to the working- and middle-class subjects who were her actual neighbors as a nanny. Use it for mid-century American street, candid documentary, vintage urban editorial, and any black-and-white image that should feel found rather than composed. Models will default to "vintage black-and-white photography." Specify "Vivian Maier Rolleiflex waist-level square format, slight upward angle, 1950s Chicago or New York street, working-class subjects unaware of camera, full mid-tonal range, found candid composition, occasional reflection-self-portrait in shop window."